Rotary and Lions: two quasi masonic societies

Aside from Freemasonry and the Fraternal Orders like The Odd Fellows, there are Masonic-like societies all over the world that promote philanthropic causes. The Lions Club and The Rotary Club are two of the most well-known service organizations. Both were established in Chicago, Illinois, U.S.A. in the early 1900s and developed in Europe twenty years later. The Lions Club was founded in 1917 by Melvin Jones[1]; the Rotary in 1905 by a group of business managers. They were Gustav Loehr, a mining engineer, the coal shopkeeper S. Schiele, the tailor H. Shorey and Paul Percival Harrys, a lawyer. The group met in rotation in each other’s office or shop, hence the name Rotary.

The first Rotary Club in Italy was set up on 20th November 1923 at the Restaurant COVA in Milan, a city that would become the Nation’s economic capital. The founder, however, was not an Italian but Sir James Henderson, an HendersonEnglishman and fascist sympathizer who was living in Italy at the time. In 1932, Henderson became the Managing Director of Coats [2] in 1932 and was regularly seen to dine with dictator Benito Mussolini [3]; we also know that Henderson had many business deals with the fascist party during the Duce’s reign of terror[4].

The Italian Rotary was an elitist and aristocratic organization that included prominent Italian businesspeople such as Motta, Pirelli and Borletti. After Milan, the Rotary Club expanded to Genoa, the Piedmont region, and then throughout the Italian peninsular. By then, the list of notable members had grown to include Giovanni Agnelli, Marzotto, Giovanni Treccani, Guglielmo Marconi and King, Vittorio Emanuele III, who Kingof Italia Vittorio Emanuele IIIserved as an Honorary Member.

However, there is no need to retort to a nearly century-old controversy in order to show that a symbiosis between the Rotary, Lions and Freemasons existed in Italy. Suffice to say that it was none other than Giordano Gamberini [11], a former Grand Master of the Grand Orient of Italy [10] – who declared–on page 5 of the February 1981 issue of the Masonic periodical Hiram – that the two service Societies were Masonic Societies.

Indeed, the Lyons Club’s founder Melvin Jones was the Worshipful Master of Chicago’s Masonic Lodge “Garden City” N.141 of Chicago. Even He later became Lions’ General Secretary and Treasurer and the editor of the Club’s magazine. 

The first Lions’ logo of 1918 even displayed the capital letter L (similar to the square symbol) and the Compasses, which are both of Masonic origin and interpretation. The major difference between Rotary, the Lions Clubs and Freemasonry is the lack of esoteric teaching; otherwise, they essentially are “Masonry without the apron” [12]

The Rotarian Lodge N. 415, whose twenty-nine founders were also members of a Rotary Club in London, received the patent in 1920 from the United Grand Lodge of England. The Lodge has survived the test of time and now meets at Freemasons Hall in Great Queen Street.

But under the guise of philanthropy, the Lions, the Rotary Clubs and other Societies like The Fabian whose history I invited you to read, hide a clear elitist and sometime even sinister agenda. Vilfredo Pareto [16], an Italian sociologist and philosopher, has previously warned that “a community is always governed by an elite, even when it appears to have a democratic constitution”.

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Handel’s character of Zoroastro in the Opera “Orlando”

In the London of the XVIII century, Freemasonry was a  predominant and mysterious movement present in society.

Freemasonry was officially born in London in 1717, when the first United Grand Lodge of England was established there.

By the year 1735 there were well over one hundred lodges in the Capital, many of them characterised by a mixed membership of middle-class individuals, clergymen and aristocrats.

Indeed, many Grand Masters came from the nobility and have contributed in no small part to the success of the Order. They played a reassuring role in the mind of the population who assumed that ,with such a distinguished list of names to its record,  Freemasonry could not be a subversive and dangerous sect.

Such awareness in turn made people  wanting to learn more about that secretive society which , for at least a while longer, remained free from persecution.

Freemasonry’s notoriety reached such a peak as to having its meeting advertised both in the London press and in the pamphlets  distributed and read in the London coffee houses.

And with people’s curiosity growing insatiable, Freemasons were happy to be playing into the phenomenon by even appearing in public celebrations.

From 1721 to 1747 a much splendid procession for the Masonic Grand Festival was held yearly in the streets of London. Bands of musicians accompanied the Brethren from the house of the Master Elected to the place (a Hall or most likely a Tavern) where he would be installed in the chair of Solomon. They marched two by two dressed in their aprons and jewels and carrying the emblems and banners of the Craft, followed by the nobility being transported in their rich carriages.

In such a climate it was no surprise that music composers, poets and librettists – many of whom were themselves members of the Craft – choose to incorporate elements from our Society’s symbolism and ideology in their work.

In that respect ,  much has been written about Mozart’s Opera “The Magic Flute”, but  less about the work of another highly successful music composer of the time, the  German George Fridiric Handel [1] who was born in the same town and year as another great composer : Johann Sebastian Bach.

Continue reading Handel’s character of Zoroastro in the Opera “Orlando”